翻訳と辞書
Words near each other
・ Show You
・ Show You Colour
・ Show You Love
・ Show You Off
・ Show You the Way to Go
・ Show Your Bones
・ Show Your Colors
・ Show Your Dance
・ Show Your Face
・ Show Your Hand
・ Show Your Hand (album)
・ Show Your Love
・ Show! Music Core
・ Show'N Tell
・ Show's Just Begun
Show, don't tell
・ Show-Biz Blues
・ Show-cause penalty
・ Show-Me Conference
・ Show-Me Institute
・ Show-Me State Games
・ Show-Ya
・ Show-Ya 20th Anniversary The Best
・ Show-Ya Golden Best
・ Show-Ya Greatest 1985–1990
・ Show-Ya Twin Best
・ Showa (fish)
・ Showa Academia Musicae
・ Showa Aircraft Industry
・ Showa Airport


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Show, don't tell : ウィキペディア英語版
Show, don't tell

Show, don't tell is a technique often employed in various kinds of texts to enable the reader to experience the story through action, words, thoughts, senses, and feelings rather than through the author's exposition, summarization, and description. The goal is not to drown the reader in heavy-handed adjectives, but rather to allow readers to interpret significant details in the text. The technique applies equally to nonfiction and all forms of fiction, including literature, speech, movie making, and playwriting.
== Ernest Hemingway ==

Nobel Prize–winning novelist Ernest Hemingway was a notable proponent of the "show, don't tell" style. His famed Iceberg Theory, also known as the "theory of omission", originates from his bullfighting treatise, ''Death in the Afternoon'':
If a writer of prose knows enough of what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water.

Creative literature (as opposed to technical writing or objective journalism) in general hinges on the artful use of a wide range of devices (such as inference, metaphor, understatement, the unreliable narrator, and ambiguity) that reward the careful reader's appreciation of subtext and extrapolation of what the author chooses to leave unsaid, untold, and/or unshown. The "dignity" Hemingway speaks of proposes a form of respect for the reader, who should be trusted to develop a feeling for the meaning behind the action without having the point painfully laid out for him or her.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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